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For submission details, please visit our Submissions page at Simply send us your superb, sublime, sensational, splendid, stunning stories, poems, and essays.Rooted in the Midwest, we encourage BIPOC, LGBTQIA , poor, neuroatypical, border-straddling, and other under-represented voices. Send submissions in the body of an email to: Cooper Dillon Books is a small poetry press committed to upholding the values that make poems timeless. ( a prestigious literary journal, invites submissions for its Spring 2020 issue.
Using weaving techniques such as coiling and plaiting as organizing themes, the editors have curated an exciting collection of imaginative, world-making lyric essays by twenty-seven contemporary Native writers from tribal nations across Turtle Island into a well-crafted basket.
features a dynamic combination of established and emerging Native writers, including Stephen Graham Jones, Deborah Miranda, Terese Marie Mailhot, Billy-Ray Belcourt, Eden Robinson, and Kim Tall Bear.
Twice yearly we publish a beautiful perfect-bound journal where talented literary artists from diverse communities worldwide share their words alongside established poets and writers. There is no theme but the issue features the winners of the Julia Darling Memorial Poetry Prize and the Chester B. Find out more at kallistogaiapress.submittable.com/submit. Kallisto Gaia Press: Trading money for words since 2017!
is an annual lit mag committed to publishing poetry, short story, and nonfiction by writers and poets who have a relationship with mental illness: either self, family member, or friend.
We are currently accepting submissions for poetry, fiction, flash fiction, creative nonfiction, and visual art for our Fall 2019 issue.
Please read through each category’s guidelines before submitting at jennymag.
Please see our full submission guidelines for more details: https://
) is calling for submissions of excellent poetry, fiction, artwork, and any other great works that would impress our young readers.
"The first collection of Native nonfiction organized with the explicit intent of highlighting Native writing as world-making.
This book offers us nonfiction that reflects, interrogates, critiques, imagines, prays, screams, and complicates simplistic notions about Native peoples and Native lives."―Malea Powell, professor and chair, Department of Writing, Rhetoric, and American Cultures, and faculty in American Indian and Indigenous studies, Michigan State University "Shapes of Native Nonfiction is exciting, fresh, and profound.