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While there are a few fine lines and the writing in general is competent but unoriginal, plotting and character are weak: it was never produced."The Wife's Trial," a late play in blank verse, is of minor interest.
The son of John and Elizabeth Field Lamb, Charles Lamb, a Londoner who loved and celebrated that city, was born in the Temple, the abode of London lawyers, where his father was factotum for one of these, Samuel Salt.
The family was ambitious for its two sons, John and Charles, and successful in entering Charles at Christ's Hospital, a London charity school of merit, on 9 October 1782.
It was published in the December 1828 issue of ——(in prose), was roundly hissed in London when it opened on 10 December 1806, but it was successfully produced in the United States thereafter.
Though soon after his mother's death he announced his intention to leave poetry "to my betters," Lamb continued to write verse of various kinds throughout his life: sonnets, lyrics, blank verse, light verse, prologues and epilogues to the plays of friends, satirical verse, verse translations, verse for children, and finally (1830), written to please young ladies who kept books of such tributes.
Charles continued to write—a ballad on a Scottish theme, poems to friends and to William Cowper on that poet's recovery from a fit of madness.
Literary Criticism Essays Of Elia
"A Vision of Repentance" ("I saw a famous fountain, in my dream") treats a truly Romantic theme—the hope of God's forgiveness for the sin of a repentant Psyche.(He met Wordsworth, who became a lifelong friend, through Coleridge in 1797.)" Of considerable interest are Lamb's blank-verse poems, which reveal--with passion that comes through--his spiritual struggles after the tragedy, as he sought consolation in religion.In one, he doubts whether atheists or deists (such as his friend William Godwin, novelist, philosopher, and publisher of children's books) have adequate answers for the larger questions of life; other poems dwell on the death of the old aunt whose favorite he was (she also appears in his essay "Witches and Other Night-Fears"), on his dead mother with regrets for days gone, on his father's senility, on Mary's fate, and on his growing doubts about institutional religion.Many of Lamb's essays before those he signed Elia came out in Hunt's publications." For students of Lamb and for his recent biographers, Lamb's poetry is mainly of interest as autobiography and as light on the essays, often treating the same subjects.The great French critic Charles-Augustin Sainte-Beuve admired Lamb's early sonnet "Innocence" so much that he translated it, but most critics then and now agree with Leigh Hunt that Lamb "wanted sufficient heat and music to render his poetry as good as his prose." Alaric A.Here he met Samuel Taylor Coleridge, a fellow pupil who was Lamb's close friend for the rest of their lives and who helped stir his growing interest in poetry. (Because he had a severe stammer, he did not seek a university career, then intended to prepare young men for orders in the Church of England.) In September 1791 he found work as a clerk at the South Sea House, but he left the following February, and in April he became a clerk at the East India Company, where he remained for thirty-three years, never feeling fitted for the work nor much interested in "business," but managing to survive, though without promotion.Soon after leaving school, he was sent to Hertfordshire to his ill grandmother, housekeeper in a mansion seldom visited by its owners.She was judged temporarily insane, and Lamb at twenty-two took full legal responsibility for her for life, to avoid her permanent confinement in a madhouse.Thereafter she was most often lucid, warm, understanding, and much admired by such friends as the essayist William Hazlitt. But she was almost annually visited by the depressive illness which led to her confinement for weeks at a time in a private hospital in Hoxton.Here he fell in love with Ann Simmons, subject of his earliest sonnets (though his first to be published, in the 29 December 1794 issue of the , was a joint effort with Coleridge to the actress Sarah Siddons—evidence of his lifelong devotion to the London theater).His "Anna" sonnets, which appeared in the 17 editions of Coleridge's , have a sentimental, nostalgic quality: "Was it some sweet device of Faery / That mocked my steps with many a lonely glade, / And fancied wanderings with a fair-hair'd maid?