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The norm of this time entails her to be the ideal image of purity and modesty.
Lucy shows characteristics of both the good Victorian woman and the impure, hyper-sexual Victorian woman.
By essentially giving Lucy two personalities in the novel, Stoker is showing the ease, ability, and potential in which the ideal Victorian woman can be converted into the evil, unchaste, impure, sexual woman of Victorian society.
Similarly, Jonathan has initial feelings about Dracula that he was convinced were wrong as they were not rational thoughts.
He writes that, “there is something so strange about this place and all in it that [he] cannot but feel uneasy.” (21).
In Dracula, by Bram Stoker, good versus evil was symbolised throughout the book as two antithetical forces without an in between.
By clearly demonstrating the relationship between the dualistic ideas of intuition versus logic, good characters facing figures comparable to the devil, and symbolism within the natural world, Bram Stoker effectively recounts a “holy war” between the antagonistic forces of good and evil.Stoker’s great use of hypnotism is what leads to Dracula’s destruction in the end.However, what influences Stoker to use hypnotherapy in order to kill off the most important character in his book? We see that the antagonist is a very intelligent, and powerful man in the novel.In the Victorian Era, logic was perceived as good, while intuition was evil and immoral. Seward writes how he was at first convinced that Lucy was, in fact, a vampire, but later thinks these ideas are outlandish.He is unwilling to accept Van Helsing’s intuition because his thoughts could not be justified by logic, but could be proven merely by beliefs.The theme in Dracula is that classic Gothic theme of the epic battle of good versus evil.In this novel this is expressed in a very direct way sweet self in death is by stabbing a stake through her heart.Dracula, in one aspect, is a novel about the The role of the women in the story Dracula, by Bram Stoker, is seen as one that defines the role of women in society during the nineteenth century.During this time in Victorian England, women held a role that required them to behave in a certain way.Firstly, good and evil was seen throughout the aspect of intuition versus logic of the book. Seward writes in his diary that, “Yesterday [he] was almost willing to accept Van Helsing’s monstrous ideas; but now they seem to start out lurid before me as outrages on common sense. I wonder if his mind can have become in any way unhinged.Surely there must be some rational explanation of all these mysterious things.” (174).