This is because “smell” is a paramount part of human function that allows us to configure and perform ordinary daily tasks, and to suggest that it is obstructed by a permanent and ongoing stench of “blood” suggests that it is further obstructing normal function from occurring because there is nothing to smell but “blood”.Tags: Essay Uni MarburgSylvia Plath Biography EssayTulane Science And Engineering DissertationHow To Write A Essay About MyselfEssay For NjhsRfp Proposal Cover LettersThe French Revolution Essay ConclusionReflective Essays On LifeDevelop Critical Thinking Skills
Perhaps Shakespeare’s messages are that if a person sacrifices themselves to committing regicide, the consequences will be fatal, and tragic, alike Lady Macbeth’s, and this is after the unimaginable contempt of losing social status and natural function in the mind.
Guilt is also established through the recurring motif of blood in the play, an example is the use of hyperbolic description in act 2 scene 2 “Will all great Neptune’s ocean wash this blood clean from my hand?
Her speech adapts throughout the tragedy, from Act 1 scene 5, when her speech is of a Great lady; her speeches are in blank verse and the strong rhythm of iambic pentameter declare her sense of purpose and confidence.
However, by act 5 scene 1 this seems to have deteriorated as she speaks in prose, which is choppy and abrupt, even descending to doggerel with the rhyme of “Fife” and “wife”.
Perhaps Lady Macbeth’s descent into doggerel and rhyme could be Shakespeare’s attempt in linking them spiritually, in order to represent how her social status is beginning to deteriorate, because the witches represent the hatred of witchcraft in the shakespearean era, and therefore their social status is perhaps the lowest in the play.
In this case, Shakespeare’s messages here may be of his strong opinions on the consequences and questions of morality surrounding regicide and the chain of being, as for a king to be killed throughout the Shakespearean era, was the worst sin to be committed because the king was next in line to God.
...green one red” which is wonderfully effective in showing guilt as it shows the true relentless emotions that Macbeth is now subject to, just after the regicide of King Duncan in the beginning of scene two.
Shakespeare’s use of hyperbolic language that “great Neptune’s ocean” cannot “wash this blood clean” demonstrates how Macbeth cannot escape the “blood” of King Duncan, and thus the sin he has committed, as it is in such a mass that it can fill an “ocean”.
Perhaps Shakespeare's underlying message here is that the guilt, the pain and therefore the lack of protection is relentless from now on and Macbeth will never again be the same.
This is contrasted in the Act prior to this, in Act 1 scene 7, when Macbeth is not hesitant to speak of “angels” or the adjective “cherubin”, and therefore the theme of guilt is not present because Macbeth does not feel the weight of these holy allusions, but uses them loosely which juxtaposes with the struggle to pass them in the following Act.