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When she is emotional and empathic, she is at risk of being called hysterical.Likewise, a man who works in the beauty industry — a make-up artist, fashion designer, hairdresser, or interior designer — might be mocked for being effete and superficial.For Wilde and his followers, the work of art — whether it be a poem, a book, a play, a piece of music, a painting, a dinner plate, or a carpet — should only be judged on the grounds of beauty.
One cartoon from the Washington Post lampooned the aesthete with a reference to Charles Darwin’s controversial theory of evolution. Here the pun relies on a comparison made between the irrational ape — Darwin’s original human — and Wilde the frivolous aesthete.
The aesthete was a dangerous combination of male privilege, class privilege, and female sensibility.
We only need to look to the tasteless comments made about Prime Minister Julia Gillard and her partner Tim Mathieson to see evidence of that today.
By the 1880s, many caricatures were published of a flamboyant Wilde as a cultivated aesthete.
Art critics and historians have a difficult time dealing with beauty.
We are trained from early on that the analysis of a work of art relies on proof, those things that we can point to as evidence.
The problem with beauty is that it’s almost impossible to describe.
To describe the beauty of an object is like trying to explain why something’s funny — when it’s put into words, the moment is lost.
Oscar Wilde was, perhaps, the consummate Aesthete - famed as much for his wit as for his foppish dress and his love of peacock feathers, sun flowers and objets d’art.
His often-quoted comment “I find it harder and harder every day to live up to my blue china” has been noted as a perfect summary of the aesthete’s vacuous nature.